Reinterpretations 2021
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Classical sculptures becomes reinterpreted as a four dimensional form. The audience is presented with a shifting perspective of the sculpture, mirroring the conflicting perspectives of our own history and religions, both of which are become distorted through time. It draws a parallel between our history and current political landscapes, where it has become harder than ever to decipher truth from bias, with two realities presented at any given time.
Classical sculptures becomes reinterpreted as a four dimensional form. The audience is presented with a shifting perspective of the sculpture, mirroring the conflicting perspectives of our own history and religions, both of which are become distorted through time. It draws a parallel between our history and current political landscapes, where it has become harder than ever to decipher truth from bias, with two realities presented at any given time.
The works each progressively fracture into fragments of the initial mold, creating a complex and impossible interpenetrating form, they shift back and forth before regressively returning to the start, the loop continues endlessly.
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Heavens Hallway
('Christ on the Crucifix' - Donatello 1444 - 1449)
(-'Bust' Lysippos 1776)
('David' -Michelangelo 1501)
Pieta in 4-Dimensions
('Pieta' - Michelangelo 1498)
('Pieta' - Michelangelo 1498)
"Athlete Wrestling with a Python" in 4-Dimensions
(-Frederic Leighton 1877)
(-Frederic Leighton 1877)
"Hercules in 4 dimensions"
('Farnese Hercules'-Glykon 216 AD)
('Farnese Hercules'-Glykon 216 AD)
